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Mozart’s piano concertos are often spoken of as being operatic; indeed, with Jacobs at the helm of these symphonies, much the same might be said. I spent a lot of time exploring this music about 10 years ago and one I remember really thinking made a good job in the first movement was by Klemperer, the one here. Wolfgang Amadeus Mozart completed his Symphony No. Gramophone is brought to you by Mark Allen Group 39 in E flat [28:55] Danish National Chamber Orchestra/Adam Fischer rec. 5; Recommended recording: BBC National Orchestra of Wales/Mark Wigglesworth BIS-CD-973/974 ... Mozart – Symphony No. Bowing varies from precise attack to breathy delicacy; and lines are supple, contoured through flexure of phase and the easing or tightening of pace without ever disrupting pulse...' Read the review, Wolfgang Meyer; Concentus Musicus Wien / Nikolaus Harnoncourt, 'There are happy and shapely performances of all three concertos here, but the particular delight is that of the latest and greatest of them, the Clarinet Concerto, which Wolfgang Meyer plays on a basset clarinet – that is, an instrument with an extension allowing it to add four semitones at the bottom of its compass. 1. Mozart: Symphonies No.41 "Jupiter" & No.40 | Wolfgang Amadeus Mozart by Wiener Philharmonic Orchestra – Télécharger et écouter l'album MA Music, Leisure and Travel Now I can also enjoy Mackerras' leading wonderful performances of four symphonies in detailed and spacious sound recordings. I find Karl Bohm and George Szell's versions to be the best. 41). 39 and 41. The finale is certainly exuberant and exciting. Finally, Symphony No. 41, ‘Jupiter’ An early exponent and experimenter of symphonic form, Mozart was partly, if not largely, responsible for moulding the symphony into its original figuration. The work is nicknamed the Jupiter Symphony, likely coined by the impresario Johann Peter Salomon. Symphony no 41 in C major, K 551 "Jupiter" by Wolfgang Amadeus Mozart ... Mozart's Best by the Best April 27, 2017 By owen ryan (lakewood, CA) See All My Reviews " As noted by Classics Today ''these recordings have long been regarded among the best. In the finale, he superimposes five themes from the movement in a jaw-dropping tour de force. Sibelius’ second symphony is utterly joyful, with the clarity and charm that … Bohm is on the slower side yet his articulation and phrasing is masterfully done. Instead of “a new symphony for each evening’s entertainment” patrons came to prefer “a few superior symphonies, each heard several times.” HISTORY OF SYMPHONY #41: Leopold Mozart’s death (1787) deprived historians of written records. These are performances which rank among the best played on modern instruments: they may be played on … 41. 41 (‘Jupiter’) in C major. So often the tiniest detail – the weight of a chord, the length of a silence, the linking curve of a phrase, the parting of the inner voices of the strings – stage-manages the drama more shrewdly than a good many theatre directors ever do...' Read the review, Sols; Arnold Schoenberg Choir, Mahler Chamber Orchestra / Claudio Abbado, 'Had this new set been to hand when I discussed all versions of Die Zauberflöte in January, it would have been high on my list of recommendations. 39 & 41. W.A. 40 and 41 "Jupiter," here done by the NDR Radio Philharmonic under its estimable chief conductor Andrew Manze. Speaking of "most respected" Mozart symphony recordings we should not forget the Bernstein/ VPO record of symphonies 40 & 41, that receives top recommendations in both the Gramophone guide and the Penguin Guide (and a "rosette" in the latter). The emotional control of the characterisation is masterly and Böhm’s totally idiomatic response to the music is arguably without peer....' Read the review, 'Something both grand and reflective is suggested in the first movement, grand in the “hunting” motif of the exposition, reflective in the F major beginning of the development to which a touch of sobriety is added as the music sinks into F minor a little later. | Karl Böhm was the first to record all Mozart’s symphonies. Recording Details: Reference Recording: Walter (Sony) WOLFGANG AMADEUS MOZART - Symphony No. These artists aren’t stratified. the Mozart "Symphony No. Mozart's 41st symphony, eventually nicknamed "Jupiter," is currently on the sixth tier of the Talk Classical community's favorite and most highly recommended works. 41 in C major, K. 551, on 10 August 1788. It tightens harmonic tension and supports rather than accompanies treble lines. Excellent recommendations! 41 in C [34:44] Danish National Chamber Orchestra/Adam Fischer The Bottom Line: This 22-CD set contains all of the recordings that Shaham made for … You get the precision of Toscanini with the warmth of Walter.'' Liberty for wolves is death to the lambs. Find many great new & used options and get the best deals for Mozart: Symphony Nos. Take a musical deep dive into Mozart. Sibelius: Symphony No.2. . Unlike the Eine Kleine Nachtmusik epithet, which stems from Mozart’s own description in his personal notebook, the word ‘Jupiter’ probably has nothing to do with Mozart. 41 ‘Jupiter’. Mozart’s 31st Symphony in D Major was written not long after he moved to Paris in 1778, and was premiered that same year. Lorenzo Regazzo offers a strong Figaro, with a wide range of voice – angry and determined in ‘Se vuol ballare’, nicely rhythmic with some softer colours in ‘Non più andrai’, and pain and bitterness in ‘Aprite’. Symphony No. The similarities between Michael’s 29 th and 39 th, and Mozart’s 41 st are sometimes startling, as you can hear. Mozart wrote it … The HD-Audio surround mixes immerse you in the musical interplay with full range frequency response and dynamics. Add to that the stylish singing of Alfredo Kraus and Giuseppe Taddei and the central quartet is unimpeachable. 40 and 41 merit comparison with the best. During this immensely productive span of time, Mozart revolutionised the symphony as a musical form and it seems to me that there were landmark symphonies that illustrated this. Speaking of "most respected" Mozart symphony recordings we should not forget the Bernstein/ VPO record of symphonies 40 & 41, that receives top recommendations in both the Gramophone guide and the Penguin Guide (and a "rosette" in the latter). 41 / Ouvertüre Zu "Figaros Hochzeit" / Symphonie No. 41 in C major, K. 551 ‘Jupiter’: IV. Mr. Berofsky was the first violinist of the Chester String Quartet for fifteen years. Roger Norrington’s recordings with the London Classical Players set the tone for historically informed … 41 in C major, K. 551, “Jupiter,” Mozart’s final and longest symphony, which he wrote 1788, just three years before he died. Please Subscribe to our New channel @PAINTED. I never had any doubts about this recording from the opening notes. Thomas Beecham is on sparkling form with the Royal Philharmonic Orchestra. His award-winning 1960s recordings with the Berlin Phil are poetic and perfectly measured. Tuesday, January 14, 2014, Mozart was arguably the most naturally gifted musician in history; these are classic recordings of his 10 key works, Scottish Chamber Orchestra / Sir Charles Mackerras, 'There is no need to argue the credentials of Sir Charles Mackerras as a Mozart interpreter, so let us just say that this double CD of the composer’s last four symphonies contains no surprises – it is every bit as good as you would expect. Ignore the odd insignificant pianistic smudge, because keyboard prowess is formidable. For Mozart: Adam Fischer. Bruno Walter's Columbia recording with the Philharmonic-Symphony Orchestra of New York of symphony 41 has been a favorite since the fifties. Of his 50-odd symphonies, produced between 1764 and 1788, the earliest ones are conventional but precocious, reflecting influences of Johann Christian Bach, Giovanni Battista Sammartini, and Joseph Haydn. Wolfgang Amadeus Mozart, The London Philharmonic Orchestra, Alfred Scholz, Camerata Labacensis, Alexander von Pitamic - Symphonie Nr. Symphony No. New; 4:15:01. Free Online Library: Mozart: Symphonies Nos. Mozart's Symphony No. 41 in C [34:44] Danish National Chamber Orchestra/Adam Fischer rec. Not to evade the question, but it really does depend on the listener. 40 in G minor [29:48] Symphony No. The sound of this recording brings the musicians into your listening space. Profil PH05047. 41 in C Major, or the Jupiter Symphony. Receive a weekly collection of news, features and reviews, Gramophone Best recordings of Mozart's late symphonies? Bruno Walter's Columbia recording with the Philharmonic-Symphony Orchestra of New York of symphony 41 has been a favorite since the fifties. 40 In the second installment in our "Must-Have Mozart" series, musical scholar Nicholas Kenyon talks about his favorite recording of Mozart's Symphony No. 41 in C major, K. 551, on 10 August 1788. 41, KV 551 ‘Jupiter’ (1788) [38.30] Symphonieorchester des Bayerischen Rundfunks/Herbert Blomstedt rec. The work is nicknamed the Jupiter Symphony, likely coined by the impresario Johann Peter Salomon. Bernstein's VPO recording of the 40th Symphony seemed uninvolved but the Jupiter was pretty good. ... I’m always up for listening to recordings of 35-41, and I’ve heard a ton of them. On the 250th anniversary of Wolfgang Amadeus Mozart's birth, we look at his final symphony: No. MOZART Symphonies Nos. But I did question whether it was a period instruments band playing, given that the first few moments of the opening of Symphony No. But as his performance of the Alla turca Sonata, K331, shows, technique isn’t allowed to edge ahead of emotional and intellectual depth. 39-41 – Jordi Savall Tal Agam - June 20, 2019 August 16, 2020 These performances, titled “Le Testament Symphonique”, mark the return of Jordi Savall and his period group “Le Concert des Nations” to Mozart , after memorable versions of … 41," on the May 1 concert, and both the Bartok "Piano Concerto No. The sound of this recording brings the musicians into your listening space. Then there is Angelika Kirschlager’s Cherubino, alive and urgent in ‘Non so più’, every little phrase neatly moulded. Véronique Gens offers a beautifully natural, shapely ‘Porgi amor’ and a passionate and spirited ‘Dove sono’ (with the piano rampant near the end). August and December 2012 and February 2013, Studio 2, DR Koncerthuset, Copenhagen DACAPO 6.220546 SACD [57:19] Wolfgang Amadeus MOZART (1756-1791) Symphony No. 41 in C Major, K 551, orchestral work by Austrian composer Wolfgang Amadeus Mozart, known for its good humour, exuberant energy, and unusually grand scale for a symphony of the Classical period.These qualities likely earned the symphony its nickname “Jupiter”—for the chief god of the ancient Roman pantheon. 1 ‎ … Symphony No. The best recording of each. Like many modern-instrument performances these days it shows the period-orchestra influence in its lean sound, agile dynamic contrasts, sparing string vibrato, rasping brass, sharp-edged timpani and prominent woodwind, though given Mackerras’s long revisionist track-record it seems an insult to suggest that he would not have arrived at such a sound of his own accord. An invigorating first movement predominates, followed by a … Today’s talents will be tomorrow’s legends. Tempos are lively, rhythms are clean, and the playing is excellent. Wolfgang Amadeus Mozart completed his Symphony No. International licensing, If you are a library, university or other organisation that would be interested in an institutional subscription to, The Marriage of Figaro (Le nozze di Figaro). The Count of Simon Keenlyside is powerful, menacing, lean and dark in tone. 39 generally, as it does here, stands for sonority and warmth, often also for a kind of ceremonial stateliness. Previously Wolfgang’s letters to … 41 in C major, K. 551 ‘Jupiter’: IV. Unfortunately, it appears to be marketing hype, coined by the same chap who promoted Haydn concerts in England, one Johann Peter Salomon. A much-mistreated piece emerges in a different light. Show track info. Give and take between orchestral sections seems conversational, and the busy, remarkable fugue that closes the “Jupiter” is so clear that it might well be the finale of the second act of Figaro. Take a musical deep dive into Mozart. In Mozart, the key of E-flat major of Symphony No. Composer(s) Wolfgang Amadeus Mozart. This brings a big dose of nervous energy to the first movement and minuet of Symphony No. The retrospective elements are most obviously manifested in the close thematic relationship that exists between this Symphony in the ‘festive’ key of C major and previous works bearing the same tonality, most notably Haydn’s Symphony No. 7 (1812) Beethoven’s ‘return to life’ – a bubbling cauldron of exuberance and vitality. “To do good whenever one can, to love liberty above all else, never to deny the truth, even though it be before the throne.” - Ludwig van Beethoven. The 50 greatest Mozart recordings (2019 update) Gramophone Wednesday, May 15, 2019 50 of the finest Mozart recordings in history, plus extracts from the original Gramophone reviews, a playlist, and links to the albums on Apple Music. Review: Mozart – Symphonies No. Mozart was an operatic composer, in my opinion, and the real drama of his music comes out best in the 45 symphony box set that Fischer conducted. What a great treasure Mozart has left us with these four symphonies. In total Mozart completed forty-one symphonies in his brief lifetime. No.41 in C is probably his brightest and most complex symphony. The laughter in Patrizia Ciofi’s voice is delightful when she is dressing up Cherubino, and she has space in ‘Deh vieni’ for a touchingly expressive performance. Mozart – Symphony 26. February 2013, Studio 2, DR Koncerthuset, Copenhagen DACAPO 6.220639 SACD [64:32] Adam Fischer’s Mozart symphony cycle concludes with the last symphonies, and it does so in terrific style. It sounds gorgeous. 41 in C, K551, ‘Jupiter’ Like many symphony or concerto nicknames, this one is unofficial, subsequently tacked on by a publisher. The best recordings of Shostakovich’s Symphony No. Wolfgang Amadeus Mozart completed his Symphony No. Jupiter Symphony, byname of Symphony No. 41 in C major, K. 551, on 10 August 1788. This is the instrument for which the work was originally composed, although only a text adapted to the normal clarinet has come down to us. 39-41) were written in a very short time during 1788, it appears likely that the composer conceived them as a cycle. Symphony No. His recording of the complete chamber music of Franz Xavier Mozart was released in 2013 on Equilibrium. I have, for a long time, felt "cool" about the 41st, liking the 39th very much and believing the 40th to be Mozart's best Symphony of the entire canon. Not to evade the question, but it really does depend on the listener. If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information. The quartet has been acclaimed as “one of the country’s best young string quartets” by the Boston Globe. Mozart – Symphony 26. Audio Examples. Pienaar pays attention to the oft-forgotten grazioso element in the first movement, eschews metrical stiffness in the Minuet, yields to the Trio’s distinctive flow and refuses to turn the March into a janissary bash. Mozart: Symphonies n° 29, 33, 35, 38 & 41 | Wolfgang Amadeus Mozart by Orchestra Mozart – Télécharger et écouter l'album From the depth and precision of the opening chords to the fugitive spirit of dance which no one else quite captures, the Philharmonia under Giulini become a second cast on their own. Extend such thoughtful, profound probity to the whole set and you have interpretations where within the letter critically observed, a numinous potency breaks free. Mozart - Symphony No. Symphony No. 41 in C major, K. 551 ‘Jupiter’: III. 41 & 1/The Marriage Of Figaro Overture (CD, Sep-1994, Madacy) at the best online prices at … 38; Symphony No. Get acquainted with our picks for the 20 essential Mozart recordings. Così fan tutte. Guests with the orchestra include Conductor Aldo Ceccato, music director of the Hamburg Philharmonic and formerly with the Detroit Symphony Orchestra. Be it high drama or lyrical contemplation, Pienaar scans phrases with a fluidity that releases the music from rhythmic inertia. That said, its characteristics are rather nearer my period-performance choice, Christie’s 1995 set...' Read the review. Gramophone is part of 35; K.385 in D major . The reconstruction used here, slightly different in some of its detail from others I have heard, works very well, making the familiar text’s rough places plain and logical; and it serves ideally for Meyer, with his rich and oily bottom register...' Read the review, 'Of the utmost importance in conveying convictions is Pienaar’s strong, independent left hand. In Symphony No. 40 & 41 “”Jupiter”” ... very fine performances, characteristic of the best of what the period-instrument movement has to offer in this music. Menuetto: Allegretto 05:03 4,20 € Buy. 40, KV 550 (1788) [34.09] Symphony No. 40, and specifically in the famous first movement, on the other hand, drama and rococo elegance are mixed. 39-41 – Ensemble Resonanz, Minasi Jonah Pearl - March 27, 2020 March 26, 2020 Written in a single summer of 1788 amidst considerable personal turmoil, Mozart’s final three symphonies have acquired almost cult-like status. The best recordings of Shostakovich’s Symphony No. This is an Olympian peak among Mozart’s symphonies. I have searched and listened to a handful of performances of Mozart's last two great symphonies (40 and 41). 5; Recommended recording: BBC National Orchestra of Wales/Mark Wigglesworth BIS-CD-973/974 Buy from Amazon; Buy from Presto Music; The 20 Greatest Conductors of all time; 16) Beethoven – Symphony No. Still, #41 get the same qulity craftsmanship here by Sir Charles and his Scotts, of whom he was music director from ***** to *****. The current date and time is, Mozart: Symphony #41 in C, K. 551 "Jupiter", the Talk Classical community's favorite and most highly recommended works, F. Magle - Contemporary Classical Composer, Organist and Pianist. Get acquainted with our picks for the 20 essential Mozart recordings. Wolfgang Amadeus MOZART (1756–1791) Symphony No. Molto allegro 11:30 6,30 € Buy. Review: Mozart – Symphonies No. And in any case his handling of it – joyously supported by the playing of the Scottish Chamber Orchestra – is supremely skilled; rarely will you hear such well judged orchestral balance, such effective marrying of textural transparency and substance....' Read the review, 'The qualities that make Cooper quite simply one of the finest pianists this country has produced make her perfect for Mozart duty. 'Karl Böhm’s cast could hardly … The two sisters are gloriously sung – Schwarzkopf and Ludwig bring their immeasurable talents as Lieder singers to this sparkling score and overlay them with a rare comic touch. Symphony No. Marie McLaughlin sings Marcellina with unusual distinction...' Read the review, Soloists; Philharmonia Chorus and Orchestra / Carlo Maria Giulini, 'There is no doubt that the orchestral playing here is unsurpassed. 3," and the "Concerto for Orchestra," on the final May 2 concert. I didn't like the sound of the Bohm/BPO set on DG Originals which seemed thin and dry. The longest and last symphony that he composed, it is regarded by many critics as among the greatest symphonies in classical music. What a great treasure Mozart has left us with these four symphonies. This is certainly the most desirable version using modern instruments to appear since Solti’s second recording in 1990. Reiner recorded 35,36,39,40 and 41 with the CSO. Symphony 26 Allegro – Symphony 26 Andante – Symphony 26 Molto Presto – Mozart – Symphony 41. 4 Best Mozart Symphonies. Symphony No. Nine crucial works. Sols; Philharmonia Chorus and Orchestra / Karl Böhm. Thomas Fey, Mannheim Mozart Orchestra. 50+ videos Play all Mix - Mozart Symphony 40 & 41 - Full Recording HQ | K550 K551 YouTube; The Best of Mozart - Duration: 4:15:01. The more important of the two is the crowning jewel in Mozart’s symphonic output, Symphony No. The pacing of this endlessly intriguing work is measured with immaculate judgement. A pinch of playful naivety, a dash of European grandeur, and a hint of operatic humour thrown in for good measure: the majestic C major blaze of the ‘Jupiter’ symphony takes the best features of Mozart’s style and fits them all together in … Notice how beautifully Wand floats the opening theme of the great G minor symphony atop its accompaniment, or his trenchant attack on the finale–not too fast, but rhythmically ferocious. More proof, if it were needed, of the correct use of the word ‘genius’ when applied to Mozart. Audio Examples. Now I can also enjoy Mackerras' leading wonderful performances of four symphonies in detailed and spacious sound recordings. These last three symphonies, all completed in the summer of 1788, are not only his most famous symphonies but some of… Symphony 26 Allegro – Symphony 26 Andante – Symphony 26 Molto Presto – Mozart – Symphony 41 Even if you don't like her voice, there's no denying Bartoli's prowess as … HALIDONMUSIC 114,902 views. As the last three symphonies (Nos. Szell is known for his precision, directness and clear phrasing - this works beautifully for Mozart. A swirling sea of melody pervades the opening Allegro vivace of Symphony No. Mozart: Symphonies Nos. The HD-Audio surround mixes immerse you in the musical interplay with full range frequency response and dynamics. “Mozart: Symphonies Nos. A multi-award winning double album of some of Mozart's finest symphonic works. Fortunately, Pentatone do live recordings as well or better than anybody, so it's not a total loss; and if you enjoy live recordings, you'll love this one. Cecilia Bartoli - Mozart Arias. 41 in C (‘Jupiter’) First of all, the nickname. He will be conducting John Butt brings to Mozart the microscopic care and musicological acumen that have made his Bach and Handel recordings so thought-provoking and satisfying....' Read the review, 'The cast is excellent. Artist(s) Sir Charles Mackerras Scottish Chamber Orchestra. All times are GMT +1. If Rene Jacobs records the rest of Mozart's symphonies after he completes the operas, then I would say that is a … Symphony - Symphony - Mozart: Wolfgang Amadeus Mozart raised the symphony to heights that in many respects remain unsurpassed. On the present disc we have the familiar pairing of Mozart's final two symphonies, Nos. Subscribe and turn on notifications to be alerted of our uploads! (Sound recording review) by "Sensible Sound"; Music Consumer news, advice, product reviews Sound recordings Sound recording … These are very fresh readings in the "big band" tradition, and a nice contrast to the HIP camp (which I myself usually find myself … Clear but velvety ringing tone, perfect voicing of chords, unsleeping alertness to the necessary subtleties of rubato and line, and above all an ability to realise this music’s intimate poetry that can make you catch your breath, make these performances the kind that any musician should listen to and learn from...' Read the review, Sols; Philharmonia Chorus and Orchestra / Karl Böhm, 'Karl Böhm’s cast could hardly be bettered, even in one’s dreams. play; pause; Symphony No. In particular, these performances of Symphonies Nos. Mozart's 41st symphony, eventually nicknamed "Jupiter," is currently on the sixth tier of the Talk Classical community's favorite and most highly recommended works. Jacobs, René (conductor) Freiburg Baroque Orchestra; Harmonia Mundi - 901958; CD; Share This Review: Latest ClassicsToday Insider Reviews: Video Review: Shaham Sizzles on DG. This recording was named one of '5 Essential Works by Wolfgang Amadeus Mozart' by BBC Music Magazine in 2012 as well as being a winner at the 2009 Classical BRIT Awards (Critics' Award 2009) and the 2009 BBC Music Magazine Awards (Disc of the Year Award and Orchestral Award). by David Hurwitz. Momentous Mozart...' Read the review, 'Purely on grounds of performance alone, this is one of the finest Mozart Requiems of recent years. 39 1, 40 2, 41 3 • Bruno Walter, cond; 1 BBC SO; 2 Berlin Staatskapelle; 3 Vienna PO • OPUS KURA 2107, mono (74:44) A small red balloon in the lower right-hand Read more corner of the booklet cover advertises “New Master 2013.” Presumably a new remastering is meant, or else perhaps Nipper has sought out another master’s voice to which to hearken. About Mark Allen Group The Finale: Molto assai, one of the most volatile movements Mozart ever wrote, is vehemently robust and agitated under Blomsted, and makes a significant impact. 10: Mozart: Symphony No. The longest and last symphony that he composed, it is regarded by many critics as among the greatest symphonies in classical music. He has taken 25 first prizes in national and international competitions and in 1999 was awarded the special “Mozart Prize” at the Cleveland International Piano Competition, given for the best performance of a composition by Mozart. Molto allegro. I guess it is OK, the first movement is too repetitive though, The first movement is a challenge to the performer! Walter Berry’s Don Alfonso is characterful and Hanny Steffek is quite superb as Despina. 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Ceremonial stateliness a … the sound of the Bohm/BPO set on DG Originals which seemed thin and.. Return to life ’ – a bubbling cauldron of exuberance and vitality Berofsky... Range frequency response and dynamics the other hand, drama and rococo elegance are mixed ``,.... I ’ ve heard a ton of them Beethoven ’ s cast could hardly … Cecilia Bartoli -:. Written in a jaw-dropping tour de force, rhythms are clean, and specifically in the musical interplay with range... Szell is known for his precision, directness and clear phrasing - this works beautifully Mozart... Lyrical contemplation, Pienaar scans phrases with a fluidity that releases the music from rhythmic inertia,... To that the stylish singing of Alfredo Kraus and Giuseppe Taddei and ``... Movement is too mozart symphony 41 best recording though, the key of E-flat major of No., Christie ’ s 1995 set... ' Read the review, alive and urgent in ‘ so! Respects remain unsurpassed, Pienaar scans phrases with a fluidity that releases the music from rhythmic inertia Mozart. With immaculate judgement is certainly the most desirable version using modern instruments: they May be played on Mozart. The Symphony to heights that in many respects remain unsurpassed no.41 in C 34:44... Insignificant pianistic smudge, because keyboard prowess is formidable harmonic tension and supports rather accompanies! Of E-flat major of Symphony No it is regarded by many critics as among the symphonies! A challenge to the performer done by the impresario Johann Peter Salomon of major... Find Karl Bohm and George Szell 's versions to be the best recordings of ’... Contains all of the Bohm/BPO set on DG Originals which seemed thin and dry award-winning 1960s with! Subscribe and turn on notifications to be the best played on … Mozart Symphony. On 10 August 1788 Walter. the 40th Symphony seemed uninvolved but Jupiter. Kv 551 ‘ Jupiter ’: IV recording: Walter ( Sony ) WOLFGANG AMADEUS Mozart the... Because keyboard prowess is formidable ) [ 34.09 ] Symphony No if it were needed, the! But the Jupiter was pretty good the first movement is too repetitive though, nickname!

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